Unit 4 Later Europe and Americas, 1750–1980 CE
Flashcard deck · A.P. Art History · Unit 4: Later Europe and Americas (1750–1980 CE) · Arts & Music
Covers 89 works from Impressionism, Cubism, and Fauvism to Duchamp, Le Corbusier, Mexican muralism, and Abstract Expressionism for AP Art History Unit 4.
Terms in this deck
- Dream of a Sunday Afternoon in the Alameda Park
- A large mural by Diego Rivera depicting Mexican history through a dreamlike gathering of historical figures in Alameda Park, Mexico City.
- Artistic movement
- A group of artists sharing common goals, styles, or philosophies who produce work within a defined period, often linked by a manifesto.
- Earth and Environmental Art
- A movement creating artworks in or from the natural landscape, often at large scale and site-specific.
- Continuity and change
- An art historical concept examining how artistic traditions persist or transform over time across cultures and movements.
- Constructivism
- A Soviet avant-garde movement using geometric abstraction and industrial materials to serve revolutionary political goals.
- Academy
- An officially sanctioned institution that set standards for artistic training and exhibition, whose influence declined as modernism rose.
- A Philosopher Giving a Lecture on the Orrery
- A painting by Joseph Wright of Derby showing a scientist demonstrating a model of the solar system, symbolizing Enlightenment scientific inquiry.
- Analytic Cubism
- An early phase of Cubism in which Picasso and Braque fragmented objects into overlapping, interlocking geometric planes using muted tones.
- Attribution
- The art historical skill of identifying a work's artist, culture, or style by comparing its features to known works.
- Contextual analysis
- Interpreting a work of art by examining the historical, cultural, social, and political circumstances in which it was created.
- House in New Castle County
- A postmodern house by Robert Venturi and Denise Scott Brown applying historical references and decoration to challenge modernist architectural orthodoxy.
- Expressionism
- An early 20th-century movement distorting form and using intense color to convey emotional experience rather than objective reality.
- Avant-garde
- Artists united by a commitment to radical innovation, pushing beyond mainstream artistic conventions of their time.
- Goldfish (Matisse)
- A Fauvist-influenced painting by Henri Matisse using bold color and simplified forms to depict a bowl of goldfish in a domestic interior.
- Five Points of Architecture (Le Corbusier)
- Le Corbusier's principles for modernist buildings: pilotis, roof garden, free plan, horizontal windows, and free facade.
- Freud and Einstein (influence on art)
- Sigmund Freud's theories of the unconscious and Einstein's physics influenced 20th-century artists' explorations of mind and reality.
- Impressionism
- A late 19th-century movement capturing fleeting light and movement through loose brushwork and vibrant color rather than precise detail.
- Illustration from The Results of the First Five-Year Plan
- A Soviet propaganda image celebrating industrial achievement under Stalin's Five-Year Plan, demonstrating art in service of political ideology.
- Fauvism
- An early 20th-century movement using wildly intense, non-naturalistic color as the primary expressive element, associated with Matisse.
- Cubism
- An early 20th-century movement fragmenting objects into geometric forms and showing multiple viewpoints simultaneously.
- Fountain (Duchamp, second version)
- A readymade artwork by Marcel Duchamp consisting of an inverted urinal submitted to a 1917 exhibition, challenging definitions of art.
- Art Nouveau
- A late 19th to early 20th century decorative style featuring organic, flowing lines inspired by natural forms, seen in Klimt's work.
- George Washington (Houdon)
- A neoclassical marble sculpture by Jean-Antoine Houdon portraying Washington as a republican citizen-leader rather than a monarch.
- Abstract Expressionism
- A post-World War II American movement emphasizing spontaneous, gestural painting as a means of personal emotional expression.
- Enlightenment
- An intellectual movement promoting scientific inquiry and empirical evidence to understand the world, emphasizing human rights and progress.
- Art as commodity
- The shift in this era toward selling art to the public, driving up prices and making art an investment that appreciates in value.
- Composition with Red, Blue and Yellow
- An abstract painting by Piet Mondrian using only primary colors and black grid lines, expressing universal harmony through pure geometric abstraction.
- Abstraction
- An approach to art that departs from realistic representation, using shapes, colors, and forms to express ideas or emotions.
- Gothic Revival
- A 19th-century architectural style reviving medieval Gothic forms such as pointed arches and decorative tracery, exemplified by the Palace of Westminster.
- Colonialism (effect on art)
- European colonial expansion exposed artists to diverse cultures, influencing styles, subject matter, and artistic traditions.
- Performance Art
- An art form in which the artist's actions or body constitute the artwork, often staged live before an audience.
- Portrait of Sor Juana Ines de la Cruz
- A portrait of the renowned Mexican poet and scholar Sor Juana, reflecting Enlightenment-era ideas about intellect and women's roles.
- Olympia
- A Realist painting by Édouard Manet depicting a nude reclining woman directly confronting the viewer, scandalizing the Paris Salon of 1865.
- Memorial Sheet for Karl Liebknecht
- A woodcut print by Käthe Kollwitz honoring the slain socialist leader, using stark imagery to mourn and protest political violence.
- Mural (Mexican muralism)
- Large-scale public wall paintings revived by Mexican artists like Diego Rivera to educate citizens and celebrate national history and identity.
- Post-Impressionism
- A late 19th-century movement building on Impressionism while emphasizing structure, symbolism, and personal expression.
- Palace of Westminster (Houses of Parliament)
- A Gothic Revival building in London by Charles Barry and A.W.N. Pugin, exemplifying 19th-century architectural revival styles.
- Industrialization
- The rapid development of industry and factory production in the 19th century that profoundly shaped society and influenced art.
- Radical individualism
- The principle, dominant in this era, that artists should pursue personal vision free from academies or institutional patronage.
- Marx and Darwin (influence on art)
- The philosophies of Karl Marx and Charles Darwin shifted worldviews in the 19th century, affecting how artists understood society and nature.
- Lipstick (Ascending) on Caterpillar Tracks
- A monumental sculpture by Claes Oldenburg placing a giant lipstick on tank treads, combining pop imagery with antiwar protest at Yale University.
- Manifesto
- A published declaration of artistic beliefs and intentions, often issued by avant-garde groups defining their movement's goals.
- Museum
- An institution that became a key site of civic pride and national identity by collecting and displaying art for the public.
- Realism
- A 19th-century art movement depicting everyday subjects and working-class life truthfully, without idealization.
- Les Demoiselles d'Avignon
- A groundbreaking proto-Cubist painting by Pablo Picasso depicting five nude figures with fragmented, angular forms influenced by African and Iberian art.
- Later Europe and Americas, 1750–1980 CE
- AP Art History Unit 4 covering rapid cultural, technological, and stylistic changes in Europe and the Americas from the mid-1700s to 1980.
- Readymade
- An ordinary manufactured object designated as art by an artist, most famously by Marcel Duchamp, questioning what art is and who decides.
- Romanticism
- An artistic and intellectual movement offering a critique of Enlightenment rationalism and industrialization, emphasizing emotion and nature.
- Neoclassicism
- An art style reviving ancient Greek and Roman ideals of order, clarity, and moral virtue, prominent in late 18th-century Europe.
- Postmodernism
- A late 20th-century theoretical stance questioning grand narratives and fixed meanings, influencing both art making and art history.
- Mont Sainte-Victoire (Cézanne)
- A series of Post-Impressionist paintings by Paul Cézanne analyzing a French mountain's geometric structure, influencing the development of Cubism.
- Patronage
- The system of financial and institutional support for artists; church patronage declined as corporate and public patronage rose in this era.
- Modernism
- A broad cultural movement from the late 19th to mid-20th century embracing innovation, experimentation, and a break from tradition.
- La Grande Odalisque
- A neoclassical-Romantic painting by Jean-Auguste-Dominique Ingres depicting a reclining nude odalisque with elongated, idealized proportions.
- Migration Series (Jacob Lawrence)
- A series of 60 narrative paintings by Jacob Lawrence documenting the Great Migration of African Americans northward in the early 20th century.
- Pop Art
- A mid-20th-century movement embracing imagery from popular culture and mass media, challenging boundaries between fine and commercial art.
- Object (Le Déjeuner en fourrure)
- A Surrealist object by Meret Oppenheim consisting of a teacup, saucer, and spoon covered in fur, creating an uncanny and provocative artwork.
- Liberty Leading the People
- A Romantic painting by Eugène Delacroix showing an allegorical female figure leading revolutionaries, celebrating the 1830 French uprising.
- Monticello
- Thomas Jefferson's neoclassical Virginia home, reflecting Enlightenment ideals of reason and the classical revival in American architecture.
- Improvisation 28 (second version)
- An abstract painting by Wassily Kandinsky using pure color and line to evoke emotion without representational subject matter.
- The Stone Breakers
- A Realist painting by Gustave Courbet showing laborers breaking rocks, challenging academic conventions by dignifying working-class subjects.
- Visual analysis
- Examining a work of art's formal elements such as line, color, composition, and texture to interpret its meaning and construction.
- The Oath of the Horatii
- A neoclassical painting by Jacques-Louis David depicting Roman soldiers pledging loyalty, emphasizing civic duty and moral resolve.
- The Swing
- A Rococo painting by Jean-Honoré Fragonard depicting a woman on a swing, embodying aristocratic frivolity before the French Revolution.
- The Saint-Lazare Station
- An Impressionist painting by Claude Monet capturing steam, light, and movement inside a Paris train station, linking art to industrial modernity.
- Symbolism
- A late 19th-century movement using symbolic imagery and dreamlike subjects to express emotional and spiritual states.
- Women artists in modernism
- Women artists slowly gained recognition in this era, competing for acknowledgment of their individuality and creative genius.
- Stylistic revival
- The deliberate reuse of earlier artistic styles, such as Gothic or classical, as seen in 19th-century European architecture.
- The Burghers of Calais
- A bronze sculpture by Auguste Rodin depicting six citizens surrendering to English forces, expressing heroic sacrifice with raw psychological realism.
- The Coiffure
- A print by Mary Cassatt depicting an intimate domestic scene of a woman having her hair arranged, reflecting Impressionist themes and women's daily life.
- Urbanization
- The large-scale movement of populations into cities during the industrial era, providing new subjects and contexts for art.
- Salon (Paris)
- An official French exhibition juried by the Academy where artists sought public display of their work in the 19th century.
- Self-Portrait (Vigée Le Brun)
- A self-portrait by Élisabeth Vigée Le Brun showing her skill and status as a professional woman artist in the late 18th century.
- The Oxbow
- A landscape painting by Thomas Cole depicting the Connecticut River valley, contrasting wilderness and civilization in the American landscape.
- Surrealism
- A 20th-century movement drawing on the unconscious mind and dream imagery to create bizarre, irrational compositions.
- The Scream
- A Symbolist-Expressionist painting by Edvard Munch depicting a figure overwhelmed by existential anguish against a turbulent sky.
- The Starry Night
- A Post-Impressionist painting by Vincent van Gogh using swirling brushwork and vivid color to express emotional intensity through a night sky.
- The Portuguese (Braque)
- An Analytic Cubist painting by Georges Braque fragmenting a figure into overlapping geometric planes, challenging traditional perspective.
- Woman, I (de Kooning)
- An Abstract Expressionist painting by Willem de Kooning featuring an aggressively brushed female figure, combining figuration with gestural abstraction.
- Villa Savoye
- A modernist house by Le Corbusier near Paris embodying his Five Points of Architecture, including pilotis, a flat roof, and a free facade.
- The Migration of the Negro, Panel no. 49
- A painting from Jacob Lawrence's Migration Series depicting the Great Migration of African Americans from the South to the North.
- Social Realism
- An art style using realistic depiction to comment on social and political conditions, often championing the working class or marginalized groups.
- Y no hai remedio (And There's Nothing to Be Done), plate 15 from Los Desastres de la Guerra
- A print by Francisco Goya from his Disasters of War series depicting the brutal realities of the Napoleonic Wars in Spain.
- The Kiss (Klimt)
- A Symbolist painting by Gustav Klimt showing two figures embracing, adorned with gold leaf and decorative patterns in the Art Nouveau style.
- Slave Ship
- A Romantic painting by J.M.W. Turner depicting enslaved people thrown overboard during a storm, condemning the slave trade.
- Skyscraper
- An innovative architectural form enabled by mid-19th-century advances in building technology, emblematic of industrialization and urbanization.
- The Valley of Mexico from the Hillside of Santa Isabel
- A landscape painting by José María Velasco celebrating Mexico's natural grandeur, combining national pride with scientific observation.
- Self-Portrait as a Soldier
- An Expressionist painting by Ernst Ludwig Kirchner depicting himself as a wounded soldier, reflecting trauma and the psychological cost of World War I.
- The Jungle (Lam)
- A painting by Wifredo Lam combining Cubist fragmentation with Afro-Cuban spiritual imagery to address colonialism and cultural identity.
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